Sometimes daily update of MP3s from all across the spectrum including unreleased promos, vinyl nuggets and rediscovered favorites. Updated five times a week, scissorkick is a tool for people with better things to do.
MP3s are for promotional use only
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The closest subway is the F train to York - right out of the subway, left on Plymouth, 5 minute walk Alternatively, A or C to High St, straight down High St, right on Front, left on Adams. Adams dead-ends under the bridge at Plymouth, and the loft is on that corner. 8 min walk.
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Read Mike B: The Invisible Man (Links)
RIYL: Scissor Sisters, Daft Punk, Out Hud, Gorillaz, Chromeo, The DFA, TTC READ: Dither Down MySpace http://www.myspace.com/33hz http://www.myspace.com/tekitek http://www.myspace.com/devinthedude
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Read 33hz with Devin the Dude and Teki Latex (Links)
Truth is, I slept on this record for a while, not fully convinced of its merits — even though both Roots Manuva and DJ Shadow were singing its high praise. RIYL: Jeff Buckley, DJ Shadow, 65DaysofStatic, South, Radiohead, UNKLE, Cinematic Orchestra READ: http://www.statelessonline.co.uk/
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Read Stateless (Links)
This is the first of two posts of bands with the word “State” in their names. First off, is Washington D.C’s Statehood, the newest project from former-Dismemberment Plan rhythm section Joe Easley and Eric Axelson, Vehicle Birth’s Leigh Thompson and vocalist Clark Sabine.
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Read Statehood (Links)
You may remember that a while back I was given a number of demo tracks from Ben Mullins, former member of Midwest Product and currently in PostPrior (both essential Ghostly International artists) to post.
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Read Ben Benjamin (Links)
It’s hard to be objective about your friend’s record label, especially since you help spread the word as an affiliated DJ, but “The King” as remixed by recent Bastard Jazz find The Magic Fly is one of those impossible-to-resist midtempo UK-style singles.
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Read SK Exclusive: See-I & Magic Fly (Links)
Turns out that one of the few truly monstrous tracks from Daft Punk’s latest, Human After All, almost completely jacks the opening of “Release the Beast,” a little known electro-funk stomper by 2-and-out late 70s jazz-funk outfit Breakwater.
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Read Sample Party: Breakwater vs. Daftpunk (Links)
As far as live bands are concerned, The Cinematic Orchestra have few equals. However, this post is not about The Cinematic Orchestra, but focused on their much lesser known opening act, Grey Reverend, the pseudonym of solo acoustic guitarist and singer/songwriter L.D. Brown.
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Read Grey Reverend (Links)
But to their credit, they manage a handful of scorchers and prove that experience trumps trendiness, especially when they tackle a sound and the result — as in the case of “Bust” — is more successful than 99% of the artists aping it.
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Read Hexstatic (Links)
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